"When Books of Hours came to be printed, in the late fifteenth and the sixteenth centuries, their pictures, made accessible to an even wider market, insured their meteoric success. (Between 1480 and 1600 there were some 1,775 different Horae editions printed.) This success was initially due in part to the cycles of small border vignettes with which the printers of Books of Hours were able to embellish their products. This was a selling point, and they knew it; printers often boasted about their pictures on their title pages. As the following selective list indicates, the cycles' range of subjects is quite extraordinary: lives of Christ and the Virgin, saints and evangelists, the Dance of Death, the trials of Job, children's games, heroines, sibyls, the Fifteen Signs of the Second Coming, the story of Joseph, the Seven Sacraments, the Seven Virtues, the Seven Vices, the Triumphs of Caesar, the story of Tobias, the Miracles of Our Lady, the story of Judith, the Destruction of Jerusalem, and, finally, the Apocalypse" (Wieck, Painted Prayers, The Book of Hours in Medieval and Renaissance Art (1997).