In the months following the ground breaking London exhibition, Cybernetic Serendipity, that showcased computer-based and technologically influenced works in graphics, music, film, and interactivity, Alan Sutcliffe, George Mallen, and John Lansdown founded the Computer Arts Society in London. The Society enabled relatively isolated artists working with computers in a variety of fields to meet and exchange information. It also ran practical courses, conferences and exhibitions.
"In March 1969, CAS organised an exhibition entitled Event One, which was held at the Royal College of Art. The exhibition showcased innovative work with computers across a broad range of disciplines, including sculpture, graphics, music, film, architecture, poetry, theatre and dance. CAS founder John Lansdown, for example, designed and organised a dance performance that was choreographed entirely by the computer and performed by members of the Royal Ballet School. The multi-media approach of exhibitions such as Event One greatly influenced younger artists and designers emerging at this time. Many of these artists were rebelling against the traditional fine art hierarchies of the time, and went on to work in the new fields of computer, digital, and video art as a result.
"CAS established links with educational establishments, journalists and industry, ensuring greater coverage of their activities and more importantly helping to provide access to computing technology at a time when this was difficult. CAS members were remarkably ahead of their time in recognising the long term impact that the computer would have on society, and in providing services to those already working creatively with the computer. By 1970 CAS had 377 members in 17 countries. Its journal 'PAGE' was first edited by auto-destructive artist Gustav Metzger, and is still being produced today. The Computer Arts Society is a specialist group of the British Computer Society" (http://www.vam.ac.uk/content/articles/t/v-and-a-computer-art-collections/, accessed 01-19-2014).
In 2007 the Computer Arts Society donated its collection of original computer art to the Victoria and Albert Museum in London, which maintains one of the world's largest and most significant collections of computer art. The V&A's holdings in this field were the subject of an article by Honro Beddard entitled "Computer Art at the V&A," V&A Online Journal, Issue No. 2 (2009), accessed 01-19-2014).